Today I finished the book! The final title is: "Relics of an Undiscovered Country Vol. I: The Grateful Dead." Not that there is a Vol II- it just sounded neat.
The *&^%bleepin#$@ adhesives still don't want to dry...each in its own way. The "permanent" gluestick lasts about 3 days before evaporating into the air or something. I had used it to glue pages together, at the end, a lot of the pages were coming apart, so I had to force glue into the open parts...not fun. Acrylic medium feels dry but sticks to opposite pages also glazed in acrylic no matter how long its been since I glazed them...the stuff never dries completely. Sobo glue doesn't act like glue. Nothing sticks for 5 or 10 minutes - then bingo - it works.
So - the cover of the book is done in "oil paper" with a linen thread grid. This paper is very crisp and crackly so I wetted it (brushed water onto both sides) to make it more pliable. This worked great for actually wrapping the cover onto the book.
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Once it dries, it is crackly again and tends to tear at stress points. This is an OK look for a Decay theme, but not so good for the book. I experimented, and found that hand moisturizer lotion keeps the paper pretty supple and less likely to break.
The cover art is a rendition of a Peruvian mud-mummy with macaw feathers and false hair made from silk ravellings. The doll is made from sticks and linen twine and paper-clay painted over with a tinted gesso.
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The title frame mount is treated with rusting agent. I had to tie the book shut because I have many dimensional elements that I didn't plan ahead for. That is the drawback of pre-glueing all the pages.
I've updated a couple of spreads...fixed Incorruptibles to cov
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er the blemishes from it sticking together . I also added the weedy fringe to the Bog Man spread.
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The inside front cover spread was a particular problem. Putting a spread here is just not my style. I prefer an endpaper that loosely keeps to the theme of the book. So I was very minimalist in this space. I found a paper that looked like distressed and dirty paint and simply added the group and project name with dates and who the recipient is.
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The inside back cover hold the niche, but has a facing page. which I used as a sort of recap - "How to make a Mummy". The distressed box is decorated with crackle medium over rust. It contains rose petals, myrrh and a pewter scarab pendant.
Last - my artists statement. Sigh - this gave me a lot of trouble.
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Various renditions were too stuffy, too casual, too pedantic. I can't say that I thrilled with the final version, but at least it sounds more like ME. I like the title page a lot. I played around with parchment and tissue and white and colored papers, finally deciding on a transparancy.
I am so not wanting to give this book away! It is probably the best art I've done. My plan is to make a PowerPoint slideshow of the pictures. I still need to make sure that I've saved all the narratives. Then its
goodbye and I wait for my exchange to arrive.